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Front matter
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Table of Contents
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Preface: Preface and Acknowledements
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6
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Article: Tempera: on the history of a technical term
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10
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Article: The use of tempera by painters and restorers in Italy and Latin Europe, c. 1800-1870
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24
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Article: From wall to canvas: the role of tempera in the develpment of mural and easel painting in Germany in the 19th century
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39
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Article: Ernst Berger and his role in the Munich tempera controversy
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56
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Article: Evidence for wax tempera binding media in Italian technical literature of the first half of the 20th century
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71
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Article: The Pereira tempera system
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85
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Article: Tempera paints in italy in the first half of the 20th century, with a special focus on 'tempera grassa' by Maimeri
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118
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Article: Photographic layer and paint layer: approaches to tempera beyond tradition
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138
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Article: A tabulated listing of industrially produced tempera paints, c. 1900
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147
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Article: Layered and alla prima: some examples of tempera painting techniques, 1850-1914
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166
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Article: Analysis of complex tempera binding media combining chromatographic techniques, fluorescent staining for proteins and FTIR-FPA imaging
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183
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Article: The role of reconstructions in the identification of a wax/resin/gum tempera binder developed by Hermann Urban in 1901 and used by Cuno Amiet in 1902
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205
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Bibliography: Bibliography
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228
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Index: Photo credits
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250
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Index: Index of persons and institutions
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251
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Rubric: Contributor biographies
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259
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