|
Download as PDF
Front matter
|
_
|
|
Download as PDF
Table of Contents
|
_
|
|
Download as PDF
Preface: General editor's preface
|
_
|
|
Download as PDF
Article: Introduction
|
_
|
|
Download as PDF
Article: Cinema and immortality : Hollywood classics in an intermediated world
|
17
|
|
Download as PDF
Article: Framing war : domesticity and the visuality of conflict
|
31
|
|
Download as PDF
Article: Bond rerouted : 007 and the internal conflict in/of digital media
|
51
|
|
Download as PDF
Article: "Are you watching closely?" : the conflict of mind-tricking narratives in recent Hollywood films
|
65
|
|
Download as PDF
Article: Narrative conflicts and violence of reading in Toni Morrison's A mercy
|
79
|
|
Download as PDF
Article: The conflict of voice in Nathaniel Hawthorne's The Blithedale romance
|
93
|
|
Download as PDF
Article: "Based on entirely coincidental Resemblances" : the legal disclaimer in Hollywood cinema
|
109
|
|
Download as PDF
Article: Revolutionary writing : the symbiosis of social and literary conflicts and aesthetic production in Tom Wolfe's The electric kool-aid acid test
|
123
|
|
Download as PDF
Article: A tug of war with silky strings : struggles for power between human puppets and their puppeteers
|
141
|
|
Download as PDF
Article: Colors in conflict : light vs. dark reloaded; or, the commodification of (black) beauty
|
159
|
|
Download as PDF
Article: "It's called hazing, asshole" : locker-room dramas of sexual violence against males in sports
|
177
|
|
Download as PDF
Rubric: Notes on contributors
|
199
|
|
Download as PDF
Index: Index of names
|
205
|
|
Download as PDF
Back matter
|
_
|